Well, that didn't take long. On the heels of the rumor that Brie Larson had moved into frontrunner status for the role of Captain Marvel, Internet artist BossLogic posted this…
More Than Cute
More Than Cute
Secret identity of a father raising two super-heroic young girls
Well, that didn't take long. On the heels of the rumor that Brie Larson had moved into frontrunner status for the role of Captain Marvel, Internet artist BossLogic posted this…
Check out this exclusive clip from the next episode of DC Super Hero Girls web series — “Quinn-tessential Harley!” Harley’s web videos have gone viral, and it looks like the fame has gone to her head.
We have a few stills from the episode and synopsis of the plot below
Plot Synopsis: “When Harley’s web videos go viral she deals with the unexpected consequences of fame.”
The full episode will be live on the DC Super Hero Girls website and YouTube channel at 10:00 AM on June 2, 2016.
As notorious misogynist Marvel CEO Ike Perlmutter becomes a distant memory at Marvel Studios, studio chief Kevin Feige is rapidly adding women left and right to the Marvel Cinematic Universe. From elevating the Wasp to headliner status, to pushing the Captain Marvel movie to made and a rumored Black Widow film in early pre-production, it seems clear that the MCU will have a lot more women in it now that Perlmutter no longer has a say.
After the debacle of Iron Man 3 director Shane Black revealing that “Marvel corporate” vetoed his female villain for the film over a fear of lost toy sales, it was easy to wonder how deep the anti-woman sentiment ran at the House of Ideas. As if to answer, it has been leaked that the main villain for the anticipated Guardians of the Galaxy 2 will be female.
According to Joblo, Elizabeth Debicki, from The Man from U.N.C.L.E., The Great Gatsby and The Night Manager has been cast as Ayesha a.k.a. Kismet a.k.a. Paragon a.k.a. Her — a being of immense power and dubious motivations.
A group of renegade scientists called the Enclave attempted to create genetically perfect humans to repopulate the Earth. Their first attempt was “Him,” a creature that rebelled and eventually became the cosmically powered hero Adam Warlock. Their second attempt at genetic perfection was “Her” a being that also rebelled and took to the stars to find Warlock, believing him to be her perfect mate.
In the comics, Ayesha is able to manipulate cosmic energies — giving her incredible powers that can even stop the Hulk.
Debicki joins the original Guardians, plus newcomers Pom Klementieff as Mantis, Chris Sullivan as Taserface and Tommy Flanagan as Tullk. Sylvester Stallone and Kurt Russell have also been cast, and there is virtually no doubt that one of them will be playing Starlord’s alien absentee father — a plot thread left dangling by the first movie.
Don’t be surprised if that father turns out to be … Adam Warlock.
Academy Award winning actress Brie Larson (The Room, Scott Pilgrim vs. the World) has reportedly moved into frontrunner status for the role of Carol Danvers a.k.a. “Captain Marvel.”
While it is unknown where they are in the negotiating process, industry sources have told Variety that Larson is now Marvel’s first choice to play the cosmic Avenger, and they are fully focused on landing her for the role.
Captain Marvel will be Marvel’s first female-led superhero movie. The plot will follow the exploits of Carol Danvers, an Air Force pilot whose body is permeated with “Kree” DNA when an alien doomsday machine explodes. The resulting mutation gives her the power of flight, superhuman strength and durability, and the ability to absorb and project energy.
While the Captain Marvel film will not debut until 2018, chances are looking high that the character will be introduced sooner than that — likely during the upcoming Avengers: Infinity War Part I if not earlier.
Marvel Studios President Kevin Feige had previously announced that both casting and a director for Captain Marvel would be announced “within the next few months.” It is unknown who Marvel is pursuing to direct the movie, although they have indicated that the eventual selection will be a woman.
The film does have two excellent writers attached. Nicole Perlman, the original writer of Guardians of the Galaxy and Meg LeFauve, a Pixar writer on Inside Out and The Good Dinosaur.
Larson is known to comic fans for playing the scenery-chewing “Envy Adams” in the cult comic-book classic Scott Pilgrim vs the World. She also just accepted the Academy Awards for Best Actress for the indie drama Room and has also signed on to star in the tentpole movie Kong: Skull Island.
If Larson is cast, it will end years of speculation on who might get the role. Almost every actress under 40 in Hollywood has been rumored to be up for the part. Including Katee Sackhoff, Rebecca Ferguson, Jennifer Lawrence, Angelina Jolie and Kathryn Winnick.
Captain Marvel hits theaters on July 6, 2018.
Unlike the vast majority of people offering opinions on the film, original Ghostbuster Dan Aykroyd has actually seen the new Ghostbusters, and he thinks it’s great.
"As originator of the original: Saw test screening of new movie. Apart from brilliant, genuine performances from … https://t.co/Z9pcg9ehDF
— Dan Aykroyd (@dan_aykroyd) May 30, 2016
His full statement from WhoSay:
As originator of the original: Saw test screening of new movie. Apart from brilliant, genuine performances from the cast both female and male, it has more laughs and more scares than the first 2 films plus Bill Murray is in it! As one of millions of man-fans and Ray Stantz, I’m paying to see that and bringing all my friends!
This is the man who actually conceived of the entire concept of the Ghostbusters and wrote the first draft of the original script. A man who played Ray Stantz, “the heart of the Ghostbusters” in the 1984 classic. So the fans who love that movie so much that they want to destroy the remake sight unseen, processed this new information from their childhood hero and adjusted their opinions.
Just kidding, they acted like the woman-hating man-babies that they are and immediately began attacking Aykroyd and redoubled their hatred of the film.
Things started off on a respectful note.
This gentleman was concerned about the new movie’s role in the government conspiracy to “destroy white men.” That seems rational.
For those not concerned about the government plot to make caucasian males feel bad about themselves, the studio plot to pay people to say nice things about the movie was a common concern. (Although, a quick peek at his profile shows that he is also concerned about the plot against men.)
The good thing was that the commenters were able to keep things in perspective when talking about a slapstick comedy from 30 years ago.
When all else failed, they questioned Aykroyd’s sanity and implied that he was washed up.
So we finally settled the real question: The self-proclaimed defenders of the original Ghostbusters hate women far more than they respect the original. I guess there really wasn’t much doubt about that.
The new Ghostbusters opens on July 15, 2016, and none of these basement dwellers will be there — that’s an extra enticement to see the movie.
Buffy the Vampire Slayer lasted seven brilliant seasons and proved once and for all that female-led action series could work on television. The show was a ground-breaking cultural landmark, and paved the way for a spate of well-realized female protagonists that followed.
With its pop-culture soaked storylines. witty dialog and over-the-top action sequences, Buffy almost seemed like a live-action cartoon at times. That’s why it was no surprise when Joss Whedon took the show and converted into a comic book for season eight. It just seemed natural.
But what most people don’t know, was that in 2002, 20th Century Fox greenlit a Buffy animated series co-produced by Joss Whedon and Jeff Loeb. The series was initially planned for the “Fox Kids” block of Saturday morning cartoons, possibly launching as early as 2003.
Buffy: The Animated Series ran into trouble almost immediately when Fox Kids stopped production, leaving the cartoon without a home. Fox shopped the show to other networks, but could find no takers and production halted.
In 2004, Fox decided to try developing the show a second time. Most of the cast from the original television show was available to reprise their voices. So a four-minute teaser pilot was created to shop the series to other networks. Once again it found no takers, a result Loeb attributed to the fact that it might be too adult to air with kids programming but animation for adults had only succeeded via slapstick comedy.
In a 2003, Whedon explained the difficulties and frustrations of trying to get the series developed in an interview with The Hollywood Reporter:
We just couldn’t find a home for (it). We had a great animation director, great visuals, six or seven hilarious scripts from our own staff—and nobody wanted it. I was completely baffled. I felt like I was sitting there with bags of money and nobody would take them from me. It was a question of people either not wanting it or not being able to put up the money because it was not a cheap show. One thing I was very hard-line about was, I didn’t want people to see it if it looked like crap. I wanted it to be on a level with Animaniacs or Batman: The Animated Series. And that’s a little pricier. But I just don’t think it’s worth doing unless it’s beautiful to look at as well as fun.
Although the show was never picked up, the designs are all finished and 13 scripts were completely written. Best of all, the four-minute teaser created to sell the show to other networks was leaked to the Internet.
This would have been cool enough, but 10 years later, cartoonist and animator Stephen Byrne took another stab at opening credits for a Buffy animated series as a passion project. No offense to the studio-backed version, I think his character designs might be even better.
Once again, it is clear that a Buffy cartoon would be absolutely awesome and there is no reason why the universe is keeping one from us other than malice and spite. Buffy is due for a revival, and this would be a great way to bring the show back without drawing direct comparisons to the cherished original.
One of superhero project that has been floating under mos people’s radar is an animated Spider-Man movie in development at Sony. Directed by Phil Lord and Chris Miller (The LEGO Movie) the animated Spider-Man movie was announced by Tom Rothman, chairman of the Sony Pictures Entertainment Motion Picture Group at last year’s Cinemacon.
When he announced the movie, Rothman made it clear that it would not tie into the live-action Spider-Man, who is now a member of the Marvel Cinematic Universe.
The film will exist independently of the projects in the live-action Spider-Man universe, all of which are continuing.
So the animated Spider-Man would not be the same Spider-Man that Tom Holland is portraying in the live action movie. Now Hollywood Heroes is reporting that the animated Spider-Man will not be Peter Parker, but Miles Morales: The Ultimate Spider-Man instead.
After Peter Parker died in the Ultimate Universe, Miles Morales, a half-black, half-Puerto Rican teen was bit by another radioactive spider that was developed in an attempt to recreate Parker’s powers. Taking up the mantle of Spider-Man, Morales became New York’s protector.
Writer Brian Michael Bendis was inspired to create the character om Morales by his own mixed-race family and the campaign to get Sony to cast African-American actor Donald Glover as Peter Parker in The Amazing Spider-Man movie. Although it ultimately failed, the campaign culminated in Glover wearing Spider-an pajamas on an episode of Community.
Bendis said of Glover, “I saw him in the costume and thought, ‘I would like to read that book.’ So I was glad I was writing that book.”
Marvel editor-in-chief Axel Alonso also cited the election of Barack Obama, the first African-American president as a catalyst for the creation of Morales.
“When we were planning Ultimatum, we realized that we were standing at the brink of America electing its first African-American President and we acknowledged that maybe it was time to take a good look at one of our icons,” he said.
After the events of Secret Wars, Morales has found himself in the mainstream Marvel Universe, Earth-616, and has joined the Avengers.
The Internet lit up yesterday after Melissa Silverstein, the Athena Film Festival creative director, announced that Wonder Woman was the first live-action film directed by a woman with a $100 million budget. That led to a flurry of articles on the ground breaking nature of the $100 million budget, then a new flurry of corrections once people realized that Kathryn Bigelow was given a $100 million budget for K-19 back in 2002.
This was taken as a sign that that female-led movies and female directors were being taken just as seriously as movies led by men. But are they? We decided to crunch some numbers.
For the sake of our comparison, we decided to group Wonder Woman in with other superhero films that either introduced or rebooted a character. We also limited our sample size to films made after Bryan Singer’s X-Men revived the genre in 2000.
So how does Wonder Woman‘s $100 million stack up to other modern superhero movies? Sadly, not very well.
Wonder Woman is the third leg of DC’s “Trinity.” She is the most well known female superhero in the world — on a par with Superman and Batman in terms of popularity. But the $100M budget she received was significantly less than Batman Begins ($150M) received 12 years earlier; and it is less than half what they allotted to reboot the Superman franchise with Superman Returns ($204M) or what they spent to reboot Superman again with Man of Steel ($225M).
Green Lantern ($200M) got twice as much money. Even R.I.P.D., the Ryan Reynolds supernatural comic-book fiasco was given a budget of $130M. In fact, Wonder Woman has been given the exact same budget as 2004’s Catwoman, a film that killed the idea of a female-fronted superhero movie for more than a decade.
Out of the 25 movies we surveyed, Wonder Woman ranked 20th in terms of budget. Only Daredevil, X-Men, Hellboy, Deadpool and Elektra were made for less. But the numbers get even worse when you adjust for inflation.
After taking inflation into consideration, X-Men and Daredevil both actually had larger budgets than Wonder Woman. leaving the Amazon in 22nd place instead of 20th. And the gap between Wonder Woman‘s budget and the budgets of other superhero films has grown even more pronounced.
Still, $100 million is serious money. Patti Jenkins is a serious director. And we have no reason to expect anything but excellence after Gal Gadot stole the show in Batman vs. Superman. But the budget that studios allot for these movies is a sign of how much faith they have in the project’s potential. And the $100M that Warner Bros. is betting on the most famous female superhero in the world is less than half what Marvel was willing to risk on an unknown talking raccoon two years ago.
Sources: The Numbers and Google
Bond. Jane Bond. That's the role Gillian Anderson has set her sights on after an unnamed fan mocked up a poster of the actor as a female version of Britain's most…
Moon Girl from Marvel’s Moon Girl and Devil Dinosaur won the 2016 Glyph Comics Award for Best Female Character this weekend. The awards were announced at the Philadelphia’s East Coast Black Age of Comics Convention. Created in 2005, The Glyph Comics Awards recognize the best in comics made by, for and about people of color from the preceding calendar year.
Written by Amy Reeder and Brandon Montclare (Rocket Girl) with art by Natacha Bustos (Spider-Woman), Moon Girl and Devil Dinosaur follows the adventures of pre-teen super genius Lunella Lafayette and her prehistoric mutant tyrannosaurus rex companion.
All the 2016 Glyph Comic Award winners are listed below:
Story of the Year: Revelation: Brotherman – Dictator of a Disciple by Guy A. Sims and Dawud Anyabwile (Brotherman Comics)
Best Writer: Juliana “Jewels” Smith, (H)afrocentric ((H)afrocentric)
Best Artist: Dawud Anyabwile, Revelation: Brotherman – Dictator of a Disciple(Brotherman Comics)
Best Cover: Blue Hand Mojo: Dust To Dust, John Jennings (Rosarium Publishing)
Best Male Character: Arron Day (Blackjack), Blackjack: There Came A Dark Hunterby Alex Simmons and Tim Fielder (Simmons & Company Creative Entertainment)
Best Female Character: Moon Girl, Moon Girl & Devil Dinosaur by Brandon Montclare, Amy Reeder and Natacha Bustos (Marvel Comics)
Rising Star Award: Chuck Collins, BOUNCE!
Best Comic Strip or Webcomic: BOUNCE! by Chuck Collins
Best Reprint Publication: Concrete Park Vol 2: “R-E-S-P-E-C-T” by Tony Puryear, Erika Alexander (Dark Horse)
Fan Award For Best Work: BOUNCE! by Chuck Collins
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