ABC Cancels “Agent Carter”

ABC pulled the plug on period spy and superhero drama Agent Carter today. The writing has been on the wall for some time. The show had dipped in the ratings this year, and star Hayley Atwell had signed on to the new ABC drama ConvictionThe network swore that Atwell could do both, but it seemed highly unlikely.

Agents of SHIELD is left to carry the MCU banner on ABC, as the network also passed on SHIELD spin-off Marvel’s Most Wanted.

Peggy Carter crying

Supergirl Renewed — Moves to the CW for Season 2

Variety is reporting that freshman drama Supergirl starring Melissa Benoist has been renewed for a second season, but is moving from CBS to sister network the CW, which is already home to superhero shows The FlashArrow and Legends of Tomorrow.

Although it was the highest rated new drama for CBS this year and brought the network its youngest audience, Supergirl always seemed like an odd fit at CBS; and the network had better ratings last year with the comedy block Supergirl replaced.

The show had its highest ratings ever when the Flash, played by Grant Gustin, crossed over from his show on the CW, reaffirming that the audience was there for Supergirl — just perhaps not at CBS.

 

Marvel’s Jessica Jones Wins Peabody Award

The “Entertainment and Children’s Programs” who won coveted Peabody 30 Awards were announced this morning on the NBC’s Today show. Originally conceived 75 years ago as a radio version of the prestigious Pulitzer Prize, the Peabody’s expanded to cover all broadcast medium with the advent of television. Prizes are awarded by a panel of experts convened by the University of Georgia’s Grady College of Journalism and Mass Communication.

Marvel’s Jessica Jones was announced as one of the winners in the category, along with genre favorites such as Mr Robot and The Leftovers.

The full press release announcing all of the winners is reproduced below.


The Peabody Awards Board of Jurors today announced the Entertainment and Children’s programs that are among this year’s Peabody 30 winners. The 11 honorees, revealed live on NBC’s Today show this morning, range from the reality-show spoof UnREAL to the classical British drama Wolf Hall, from the German spy thriller Deutschland 83 to the family comedy black-ish. The Peabody Awards are based at the University of Georgia’s Grady College of Journalism and Mass Communication.

Documentary and Education winners will be revealed on the Peabody Facebook page on April 26 at 2:00pm ET. News, radio, podcast, and web winners were announced on Tuesday.

The Entertainment and Children’s winners of The Peabody 30 are as follows:

Beasts of No Nation (Netflix)
Red Crown Productions, Participant Media, Come What May Productions, New Balloon

A superbly acted, strikingly photographed film about an African warlord training an orphan child to join his guerrilla army, it never loses sight of their humanity, brutal acts notwithstanding.

black-ish (ABC)
ABC Studios

A bright, boisterous, big-hearted comedy about an affluent African American family working overtime to keep it real, black-ish doesn’t let jokes get in the way of insights about race, class, guns, and other hot-button topics that most popular entertainment shows scarcely mention.

Deutschland 83 (SundanceTV)
Fremantle International/Kino Lorber

A suspenseful, well-acted spy drama that takes place a few years before the Soviet bloc cracked and told from the perspective of East Germans and West Germans, it reheats Cold War conflicts in surprising ways.

Marvel’s Jessica Jones (Netflix)
Marvel Television in association with ABC Studios for Netflix

This one part superhero saga, one part neo-noir program asks unpopular questions about power and consent, while constructing vivid and compelling characters. Krysten Ritter helps us to discover the strengths and vulnerability of Jessica, a hard-boiled private detective who has rejected the role of superhero but must still figure out how to overcome the evil that threatens her, her friends and her community.

Master of None (Netflix)
Universal TV, Oh Brudder Productions, Alan Yang Productions, Fermulon

By turns profound and mundane, ridiculous and deadly serious, this imaginative, shape-shifting comedy chronicles the misadventures of Dev (series creator Aziz Ansari), a 30-year-old Indian-American who’s still trying to figure out what to do with his life. To say it resonates with young-adult viewers is an understatement.

MR. ROBOT (USA Network)
Universal Cable Productions

A riddle wrapped in a mystery shrouded in a hoody, MR. ROBOT‘s hero, Elliot, is a tormented, anti-social cyber-security whiz caught up in techno-anarchy conspiracy. The series’ twisting, turning, Rubik plot is almost as startling as its overtly anti-corporate stance. Occupy Prime Time?

The Leftovers (HBO)
HBO Entertainment and Warner Bros Television in association with Damon Lindelof Productions and Film 44

After an inexplicable global cataclysm – a massive random harvest – thins Earth’s population by 140 million, the survivors in this challenging, deeply philosophical, boldly imagined drama are left to figure out how to get on with life in a world that’s stopped making sense.

Transparent (Amazon Video)
Amazon Studios

Jeffrey Tambor’s transsexual Maura is not just the lead character of this bold, honest dramedy, she’s the catalyst for her typically dysfunctional modern family’s ongoing reevaluation of itself. Its broadened scope and lively sense of self-awareness, along with irreverent wit and poignant moments, made Transparent‘s second season even stronger than the first.

UnREAL (Lifetime)
A+E Studios

A spot-on, behind-the-scenes send-up of ersatz “reality” shows like The Bachelor, UnREAL makes viewers care about venal producers and petty contestants even as it skewers them.

Wolf Hall (PBS)
A Playground Entertainment and Company Pictures Production for BBC and MASTERPIECE in association with BBC Worldwide, Altus Media and Prescience

Based on Hilary Mantel’s celebrated novels about the intrigues of Henry VIII’s court, Wolf Hall is an intimate, humanized history, told from the viewpoint of the king’s main man, Thomas Cromwell. Enhanced by literate scripting and superb acting with historic-location and natural-light filming, this exceptional series sets a new standard for the genre.

Katie Morag (Cbeebies)
Move on Up

Mairi Hedderwick’s popular books about a feisty, wee, red-headed girl (the splendid Cherry Campbell) and the Scottish island community she’s growing up in are exquisitely realized in this series. Timeless, perhaps old-fashioned, but never precious or blindly idyllic, Katie Morag deals honestly and gracefully with death, loss, rivalry and other serious themes.

DC Super Hero Girls Season Two Hits the Net

DC Super Hero Girls is back! Season two of the bi-weekly webseries debuted today on the DC Super Hero Girls website and YouTube channel, and the Super Hero High roster has gained some new faces.

Inspired by Wonder Woman, Supergirl overcame her fears and enrolled in the exciting high school. The Kryptonian hero was introduced in the recent television special on Boomerang and will continue to find her way in the upcoming season. We spoke with the voice behind Supergirl, Anais Fairweather, and she says Supergirl is trying to determine her path.

“Her dynamic is that she really is genuinely learning about herself and learning about the other girls at the school and wanting to take something from all of them,” says Fairweather. “I really believe she wants to learn from each one of them in their own way and become close to them and find her home here because she’s so far away from her actual home. I could really feel that sense of her wanting to find her place.”

Supergirl obviously has impressive abilities and super powers at her disposal, but it doesn’t mean she’s invincible. Like the other students at Super Hero High, she’s growing up and that comes with its own hurdles and lessons. She has flaws, and she’s figuring things out. The characters’ human, relatable traits are one aspect about DC Super Hero Girls that makes the series appealing to kids (along with adults, if we’re being honest) and so is the friendship between the girls. Fairweather likes how the show emphasizes that.

“I think so much of the time we’re seeing women on television being pinned against each other, and it’s so wonderful to have this show for young women so that they can see other women supporting each other and building each other up. It’s important,” she says.

Fairweather also sees the effect of the series firsthand in her personal life. “I have a niece who’s four years old and she loves the show,” she explains. “I’m so glad she finally has something that she can connect to. This is one of the first things like this, and it’s so, so great for her. I see her running around the house pretending to be Supergirl with the cape on, and she’s got her little arm ahead of her and she’s flying through the dining room. It makes me feel emotional because I’m just so, so glad that we live in a world where this is happening and she gets to see this and want to embody these girls who are wonderful characters. Any possible chance to empower young women, that’s genuinely my goal in life. It feels so good to be a part of this.”

As mentioned, Supergirl has a few challenges to wrestle with, but her biggest one doesn’t have to do with saving the day or world, it has do with believing in herself. Fairweather thinks that’s definitely Supergirl’s struggle.

“You see her constantly coming up against herself and questioning herself. Is she powerful enough? Is she ready? Does she have enough training? I think the biggest thing for her is really believing in herself. I so badly want young girls to believe in themselves and to take risks and to not let people stand in their way. It’s so important to trust and to know that you can do this. I think a big thing is to call on help and to not be afraid to ask people for help. I think another one of her challenges is to not apologize so much.”

DC Super Hero Girls is a biweekly webseries and debuts new episodes on the DC Super Hero Girls website and YouTube channel every other Thursday.

Batgirl Fights For Equal Pay

Today marks “Equal Pay Day.” April 12th is the date that symbolizes how far into the year women must work to earn what men earned in the previous year. It’s a depressing statistic made even more depressing by the fact that we’ve been fighting this same injustice for decades, as this PSA from 1974 starring Batgirl (Yvonne Craig) demonstrates.

But we don’t fight because it’s easy. We fight because it’s the right thing to do.

DC Superhero Girls Take WonderCon

This year we partnered up with several other little girl cosplayers to recreate the DC Super Hero Girls for our WonderCon cosplay. The girls all had a tremendous amount of fun, and even ran into Lisa Yee, the author of the first DC Super Hero Girls novel, and a group of adult cosplayers who also cosplayed as DC Super Hero Girls.

Photo gallery courtesy of WonderWall Visions.

 

Adult DC Super Hero Girls

Hello Koko Cosplay (Batgirl)
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Natalie Atkins (Supergirl)
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UnfragmentDecoy (Bumblebee)
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Flying Octophant (Katana)
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Kyomastr (Wonder Woman)
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Arielle (Hawkgirl)
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Aqua Cat & Redd Cosplay (Harley Quinn and Catwoman)
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